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Oshima Tsumugi: History and Techniques
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Twill Weave: History and Techniques
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Brocade Weave: History and Techniques
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Coverlets: History and Techniques
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Toile De Jouy: History and Techniques
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Mola Appliqué: History and Techniques
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Indigo Dye: History and Techniques
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Shibori: History and Techniques
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Batik Wax Resist: History and Techniques
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Collection Highlights at Textile Hive
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Fashion in Peru and Collecting for the British Museum
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The Reuse, Repair, and Adaptation of Japanese Textiles
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20th-Century Kimono Textiles and Design
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Wide-Eyed Wonder
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Regional Styles
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Japanese Cotton Plaids
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Colors in Japanese Design
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Using Textiles for Inspiration
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Japanese Textiles and Techniques
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Runways During Fashion Week
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Fashion Week
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Working in Paris
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Celebrities and the Fashion World
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Collecting in Afghanistan
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European Fashion in New York
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Witnessing Changes in Fashion
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Interpretations by Designers
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The Climate of New York in the 1980s
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Which early clients were your favorites?
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Did you have influence in the fashion world?
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Approaching Clients and Running a Business
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1980s Fashion in America
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Andrea’s Clients
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Selling Textile Swatches
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Moving Back to America
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Japanese Aesthetics
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Piecing Together History in Japan
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What was happening in Japan while you were there?
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Adjusting to Japan
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Fashion in Rural China
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Collecting in Southwestern China
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Andrea’s Early Career
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Choosing Subjects for Collection
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Traditions in China
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Peruvian Textiles and Aniline Dyes
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Traveling and Collecting in China
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Globalization in China and Japan
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Relationships to Foreign Governments
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Japanese Textile Distribution and Dressing for Status
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Communicating in China and Peru
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Are ethnographic studies an offshoot of colonialism?
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Politics, Culture, and Ethnographic Collections in Peru
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Becoming a Serious Collector in Peru
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Collecting in Peru
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Andrea Discusses the Contents of Her Various Collections from Peru, China, Japan and her Design Collection
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Andrea Discusses what Drew her to Japan and her Research of Modern Kimono in the 1980s
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Andrea Discusses her Famous 1970 Clientele like Jimi Hendrix and Miles Davis at Dakota Transit in New York City
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Andrea on Textile Design – Japanese Kimono Artwork on Washi Paper
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Andrea on Textile Design – Japanese Stencil Kimono Design
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Andrea on Textile Design – Japanese 1960s Kimono Batik Artwork
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Andrea on Textile Design – American 1970s Youth Quake Artwork on Wax Paper
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Andrea on Textile Design – Japanese Oshima Tsumugi, 1940s Hand Woven, Plaids
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The Connection Between French and Japanese Aesthetics
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Colors and Aesthetics of Japanese Textiles
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Colors, Dyes, and Scenery in Peru
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What do Your Collections From Peru, China, and Japan Represent?
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The Thrill of Finding a New Textile
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What Makes a Good Collection?
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Traveling and Taking Risks in China and Syria
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Rebellion and Unorthodox Careers during the 1960s Youthquake
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Thrilling and Transitional Moments
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Separation Between the Museum World and Collecting in the Field
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Being a Foreigner in Japan
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Rewarding Career Moments
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Early Career Mentors in New York City and Japan
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Aesthetics and the Creative Process
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Dakota Transit, New York City Fashion, and the Creative Process
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Dakota Transit, New York Fashion, Snakeskin, and Designing for Musicians
