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Fashion in Peru and Collecting for the British Museum
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Andrea’s Influences
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Regional Styles
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Japanese Cotton Plaids
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Colors in Japanese Design
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Using Textiles for Inspiration
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Japanese Textiles and Techniques
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Recent Travels
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Themes of the Collection
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Where is the collection stored?
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When did you start collecting?
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Andrea’s Personal Fashion
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Runways During Fashion Week
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Fashion Week
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The Internet’s Effect on Fashion
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Working in Paris
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Changing Definitions of Luxury
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Designs that are “Traditional with a Twist”
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Fast Fashion
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Celebrities and the Fashion World
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Collecting in Afghanistan
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European Fashion in New York
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Witnessing Changes in Fashion
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Interpretations by Designers
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The Climate of New York in the 1980s
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Which Early Clients Were Your Favorites?
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Did you have influence in the fashion world?
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Approaching Clients and Running a Business
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1980s Fashion in America
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Andrea’s Clients
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Selling Textile Swatches
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Moving Back to America
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Founding of Textile Documents
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Japanese Aesthetics
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Piecing Together History in Japan
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What was happening in Japan while you were there?
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Adjusting to Japan
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Fashion in Rural China
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Collecting in Southwestern China
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Why Textiles?
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Andrea’s Childhood, Education, and Early Career
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Goals for the Collection
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Choosing Subjects for Collection
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Traditions in China
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Peruvian Textiles and Aniline Dyes
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Traveling and Collecting in China
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Globalization in China and Japan
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Relationships to Foreign Governments
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Do International Textile Collectors Study America?
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Japanese Textile Distribution and Dressing for Status
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Communicating in China and Peru
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Are ethnographic studies an offshoot of colonialism?
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Politics, Culture, and Ethnographic Collections in Peru
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Becoming a Serious Collector in Peru
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Collecting in Peru
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Gender and Fashion
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Dressing Conspicuously
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Visiting New Places
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Andrea Discusses the Contents of Her Various Collections from Peru, China, Japan and her Design Collection
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Andrea Discusses Growing Up Sewing with Her Mother
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What is being archived, textiles or history?
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Andrea Discusses what Drew her to Japan and her Research of Modern Kimono in the 1980s
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Andrea Discusses her Famous 1970 Clientele like Jimi Hendrix and Miles Davis at Dakota Transit in New York City
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Andrea discusses her work with Alexander McQueen
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Is this Collection the Love of Your Life?
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Andrea on Textile Design – Japanese Kimono Artwork on Washi Paper
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Andrea on Textile Design – Japanese Stencil Kimono Design
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Andrea on Textile Design – Japanese 1960s Kimono Batik Artwork
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Andrea on Textile Design – American 1970s Youth Quake Artwork on Wax Paper
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Andrea on Textile Design – Japanese Oshima Tsumugi, 1940s Hand Woven, Plaids
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Trends in Portland
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The Connection Between French and Japanese Aesthetics
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How do you Perceive Color?
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Colors and Aesthetics of Japanese Textiles
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Colors, Dyes, and Scenery in Peru
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Do you ever feel like you have enough? Have you seen enough?
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What do Your Collections From Peru, China, and Japan Represent?
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What are Your References and Sensibilities?
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The Thrill of Finding a New Textile
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What Makes a Good Collector?
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What Makes a Good Collection?
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Drive, Motivation, Curiosity
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Traveling and Taking Risks in China and Syria
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Being Inspired by Peers
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Confidence to Experiment
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Rebellion and Unorthodox Careers during the 1960s Youthquake
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Thrilling and Transitional Moments
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Separation Between the Museum World and Collecting in the Field
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Working as an Outsider
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Being a Foreigner in Japan
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Rewarding Career Moments
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Teaching and Connecting
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Early Career Mentors in New York City and Japan
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Sources of Inspiration
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Aesthetics and the Creative Process
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Dakota Transit, New York City Fashion, and the Creative Process
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Dakota Transit, New York Fashion, Snakeskin, and Designing for Musicians
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Dressing and Street Fashion
